At this early stage and later in the studio when I’m in the flow, I often feel that I’m co-creating with a higher power which I call the Goddess energy. These are just seeds of inspiration that I write or sketch out–and it’s up to me if they germinate and develop into something worthwhile.

In the early morning, sitting with my coffee and journal, I receive some of my most inspired ideas. The act of creating is one of the most beautiful things in my life and I am grateful every day. Feeling that Goddess energy and walking in the footsteps of the grandmothers inspired and continues to inspire me.Ģ.) How would you describe the process of giving birth as a creator? I began traveling to sacred sites such as Paleolithic cave sites in South of France, representing the womb of the Mother and Newgrange in Ireland, with womb-like tunnels replicating the birth canal. Through meditation, my stream of creativity, and a connection to nature, I felt Her presence as a guiding light. With these new revelations, I began choosing a spiritual path that honored that Goddess energy via my connection to Mother Earth and La Luna. Women were honored in each stage of life – maiden, mother, crone and as sacred life-givers, healers, and wise leaders. I learned of ancient Goddess cultures, where women rulers and priestesses presided and held court in peaceful agrarian societies.

Reading books in my late twenties like The Chalice and the Blade by Riane Eisler and When God was a Woman by Merlin Stone opened my eyes to a world of early Matriarchal cultures and the Sacred Feminine.

When were you first drawn to the goddess, and what did that look like for you? Glen Rogers in her studio 1.) Tell us as little bit about your path with the divine feminine.

Divine feminine art painting